George C. Scott plays the miserly Ebenezer Scrooge in this version of the Dickens Christmas classic. Scrooge is a misanthrope unimpressed by the fuss everyone makes during the festive season. That is, until his sleep is disturbed one Christmas Eve by the ghosts of Christmas past, present and future, each of which takes him on a journey which helps him to open his heart to his fellow man and to thereby learn the joy of Christmas. Filmed entirely on location in the historic town of Shrewsbury.

Break of Noon (Partage de midi) is a collaborative attempt, edited by Anthony Rudolf, at preparing an English-language edition of Paul Claudel's remarkable and complex play, an unstable text which gave Claudel many problems throughout his life. These are explored in essays by David Furlong of Exchange Theatre in London, which put on a production of the play in 2018 and John Naughton, a leading authority on Claudel. The critical apparatus is completed by the late Susannah York's essay on her own involvement with the play and recounts her interaction with her fellow translator, Jonathan Griffin. The instability of this strange and compelling work in its various original versions is mirrored by the three critical essays in the present work, which do not always see eye to eye. It is thirty years since Jonathan Griffin died and nearly fifty years since Pierre Rouve's Ipswich production of Jonathan's translation, starring Ben Kingsley and Annie Firbank.